ABSTRACT
Neste artigo são apresentados processos, materialidades e reflexões que envolvem a criação de uma instalação artística, desenvolvida pelas autoras do trabalho provocadas pelos silenciamentos que marcam corpos plurais. As autoras foram mobilizadas pela intencionalidade do exercício de "colocar corpo" para a ação constante de des(colonizar)patriarcalizar a si mesmas e a vida, e pelo desejo de criar na conexão entre mulheres. A obra foi alicerçada com base em suas histórias e narrativas, por meio da materialidade expressa nos elementos visuais incorporados às peças da instalação, com o objetivo de questionar as violências visíveis e invisíveis advindas de processos hegemônicos de poder e de dominação do patriarcado, do colonialismo e do capitalismo neoliberal. O convite é para a experimentação e a fruição de alguns tensionamentos e expressões que refletem formas possíveis de (r)existência.(AU)
In this article, processes, materialities and reflections involving the creation of an artistic installation are presented, developed by the authors of the work caused by the silencing that mark plural bodies. The authors were mobilized by the intentionality to exercise "giving body" to the constant action of de(colonizing) patriarchalize themselves and life itself, and by the desire to create in the connection among women. The manuscript was based on its stories and narratives, through the materiality expressed in the visual elements incorporated into the installation's pieces, with the objective of questioning the visible and invisible violence arising from hegemonic processes of power and domination of patriarchy, colonialism and neoliberal capitalism. The invitation is to experiment and enjoy some tensions and expressions that reflect possible forms of (r)existence.(AU)
En este artículo son presentados procesos, materialidades y reflexiones que involucran la creación de una instalación artística, desarrollada por las autoras, provocadas por los silenciamientos que marcan cuerpos plurales. Las autoras se movilizaron con la intención del ejercicio de "poner cuerpo" para la acción constante de des(colonizar)patriarcalizar a sí mismos y a la vida, y con deseos de crear desde la conexión entre mujeres. La obra se basó en sus historias y narrativas, a través de la materialidad expresada en los elementos visuales incorporados en las piezas de la instalación, con en lo objetivo de cuestionar las violencias visibles e invisibles resultante de los procesos hegemónicos de poder y dominación del patriarcado, del colonialismo y del capitalismo neoliberal. La invitación es a experimentar y disfrutar de algunas tensiones y expresiones que reflejan posibles formas de (r)existencia.(AU)
Subject(s)
Humans , Art , Women , Power, Psychological , Gender-Based Violence , Anatomy, ArtisticABSTRACT
Leonardo Da Vinci fue autor de ilustraciones científicas. Se lo considera un pionero en el estudio de la anatomía humana en el siglo XV. Sus dibujos elevan la disección al nivel de una obra de arte. (AU)
Leonardo was author of scientific illustrates. He was a Pioneer in anatomy human study in the XV century. His drawing elevated the dissection to a level of art work. (AU)
Subject(s)
History, 15th Century , Famous Persons , Anatomy/history , Anatomy, Artistic , History, Early Modern 1451-1600 , Dissection/historyABSTRACT
In 1951, in the midst of the Korean War, artist Lee Quede produced anatomical drawings to teach artistic anatomy to his student Lee Ju-yeong while interned in the Geoje prison camp. Comprising 2 books and spanning over 48 pages, 74 drawings were produced alongside explanations in a textbook format. The table of contents was ordered starting from body proportions, then the skeleton, the muscles, and the head. By part, there were 4 drawings of the trunk, 51 of the head, 7 of the arms, 9 of the legs, and 3 of the full body. Though the drawings of the head and face are both high in number and in detail, there were many errors in his depictions of the bones, and the boundaries between the structures of his muscle drawings were drawn so unclearly as to be indistinguishable. The essential forms, proportions and movement are included, but his disproportionate dedication to the head and the incoherent way that the book is arranged with no relevance to its table of contents leave something to be desired. It is regrettable that Lee Quede's return to North Korea meant that his drawings were not widely used, but despite this, I believe that these are invaluable documents in assessing the influence of Japanese artistic anatomy at the time, as well as the introductory circumstances of Korean artistic anatomy.
Subject(s)
Humans , Anatomy, Artistic , Arm , Asian People , Democratic People's Republic of Korea , Head , Korean War , Leg , Muscles , Prisons , SkeletonABSTRACT
El Hombre de Vitruvio es un estudio de las proporciones humanas que data del siglo I a.C y que fue redescubierto durante el Humanismo y difundido en el Renacimiento por Leonardo da Vinci. También conocido como "El hombre ideal" o "Canon de las proporciones", se lo considera una suma de arte y ciencia. Actualmente, su estudio continúa. El Hombre de Vitruvio es, hasta la fecha, la representación más famosa de la morfología y las medidas humanas.
The Vitruvian Man is a study of human proportions made in the 1st Century BC. It was rediscovered in the Humanist period and spread by Leonardo da Vinci during the Renaissance. Also known as "The ideal man" or "Canon of proportions" , it is considered to be a sum of art and science and it is still being studied. The Vitruvian Man is, so far, the most famous representation of human morphology and measures.
Subject(s)
Humans , Anatomy, Artistic , Human Body , Medical Illustration , Medicine in the ArtsABSTRACT
What grips us so powerfully to a work of art is the artist's intention, if he succeeds to express it in his work and we are able to understand it. Michelangelo's Moses established the essential structures of an animate organism and the embodiment of consciousness in the world. Since the body is an expressive unit, it is possible to reconstruct a highly feasible sequence of movements that might have preceded the moment caught in the statue. It is an expression of the highest ideal of mental and spiritual achievement through the controlled tension between action and restraint. The phenomenon of embodiment and feeling the body as own is the basis of concrete human existence.
Subject(s)
History, 15th Century , History, 16th Century , Humans , Anatomy, Artistic/history , Human Body , Sculpture/history , Medicine in the ArtsABSTRACT
The Renaissance was a period of extensive scientific and cultural production, which occurred between the fourteenth and sixteenth centuries. One of the exponents of this artistic period was the poet, architect, sculptor and painter Michelangelo Buonarroti, who was born and lived in Italy between 1475 and 1564. Among his best known artworks are the frescoes painted on the Sistine Chapel ceiling. Currently, there is discussion if the paintings are only representations made from the sacred guidance of the church at the time, or if there are other meanings hidden in the images. From this context, we analyzed studies that associated the frescoes painted on the Sistine Chapel ceiling with anatomical structures hidden in the images, taking into account their significance, importance, and if these structures are not simply an imaginative interpretation of the researchers. This study was performed aiming to complement the work published by Ellwanger, Mohr and Campos (2012) in this journal.
Subject(s)
Humans , Male , Female , Anatomy, Artistic , Medical Illustration , Medicine in the Arts , PaintingsABSTRACT
The corresponding author of the study has been sketching comic strips to explain anatomy in a humorous manner. All the anatomy comic strips, including those in Korean (650 episodes) and English (451 episodes), can be viewed on the homepage (http://anatomy.co.kr). Such comic strips were created with the aim of assisting medical students. However, their impact was unknown, and therefore, we surveyed the students' responses. We noted that anatomy grades were better in the students who read the comic strips. The comics helped the trainees chat with individuals with and without a medical background. The authors also considered comments on the problems with the comic strips and attempted to find solutions. The episodes are being currently used and further produced for educational purposes. To support this effort, the readers' valuable opinions will be continuously collected and assessed.
Subject(s)
Humans , Anatomy, Artistic , Education, Medical , Students, Medical , Surveys and QuestionnairesABSTRACT
Los autores reseñan las características del material que encierra el museo Ara, creado en 1878, que lleva el nombre de uno de los más destacados taxidermistas, el Dr. Pedro Ara, autor de las tareas de conservación del cadáver de Eva Perón. El museo Ara posee una de las colecciones más importantes del mundo en diafanizaciones y recibe las visitas de expertos de todas partes que desean consultar sobre su valioso patrimonio.
Subject(s)
History, 19th Century , History, 20th Century , Anatomy, Artistic/history , Schools, Medical/history , Museums/history , Argentina , Academies and Institutes/historyABSTRACT
Michelangelo Bounarroti born in Italy and lived between 1475 and 1564. He had a vast knowledge inanatomy and it is confirmed by the perfection in which human  is represented in his works. This fact drawsthe attention of scholars from a variety of areas concerning the study of human body to be interested in his artworks. We discuss the possible presence of the representation of anatomical structures included in the worksof Michelangelo presented by several authors.
Subject(s)
Humans , Anatomy, Artistic , Human Body , ArtABSTRACT
In this paper, we describe a study on visualization of SW atlases. Firstly, data structures in axial, coronal and sagittal directions are generated by SW atlases' raw data after pre-processing. Secondly, we produce 3D SW atlases through setting gray intensity and spaces between slices. Thirdly, we integrate the atlas into the neurosurgery navigation system and realize the visualization of SW atlases. Finally, we realize brain anatomy structures labeling and real-time display in neurosurgery navigation system.
Subject(s)
Humans , Anatomy, Artistic , Brain Mapping , Neuronavigation , Methods , Neurosurgery , MethodsABSTRACT
The study aimed at identifying the effectiveness of counseling programme using educational and artistic activities for developing self concept and positive activities for developing self concept and positive behaviours for pre schoolblind child. The sample was [24] blind child from the ideal centre for blinds age [4:6]. The researcher prepared three tools to the study [self concept scale-an observation checklist for positive behaviours -a programme using educational /artistic activities]. The study used The experimental method [one group]. Results showed that-there are statistically significant differences between the mean scores at the self-concept scale and the observation checklist before and after using the study programme in favor of the post test, results show also that the programme is effective
Subject(s)
Humans , Male , Female , Counseling/education , Program , Child, Preschool , Blindness , Self Concept , Surveys and Questionnaires , Anatomy, ArtisticABSTRACT
Procura-se demonstrar no presente trabalho a indissolúvel correlação existente entre a Arte e a Anatomia. Inicia-se a abordagem do tema na antiguidade passando-se pelos egíp- cios, hebreus e povos do extremo oriente, chegando-se finalmente aos progressos atingi- dos por gregos e romanos. Ultrapassa-se a seguir o imobilismo da Idade Média para alcan- çar as primeiras conquistas surgidas com o aparecimento das universidades, no início do século XIII d.C., quando então começam a se dissipar as brumas da ignorância que envolveu a Idade Média. Atinge-se a seguir o apagar das luzes do século XV através do movimento denominado Humanismo, precursor da Renascença onde o ideal científico inicia a destruição das amarras impostas pelo pensamento religioso medieval. O comportamento artístico e o conhecimento anatõmico são então acompanhados durante todo o esplendor da Renascença até o surgimento das primeiras grandes publicações anatõmicas com suas famosas ilustrações artísticas. Termina avaliando eticamente as últimas conquistas anatõmicas surgidas no crepúsculo do século XX e suas tentativas de considerar arte meras cópias das idealizações renascentistas.(au)
Subject(s)
Anatomy, Artistic , Art , Medical Illustration/historySubject(s)
Anatomy, Artistic , Atlases as Topic , Humans , Internet , Medical Illustration , Medicine , Specialties, SurgicalABSTRACT
Se analizan tres características, el conocimiento y la evolución de la anatomía humana vesaliana y postvesaliana en España, los avatares y fundación de la facultad de Medicina de La Paz su Clausura temporal y la reapertura hasta mostrar la Autonomía en la que se desarrolla la Universidad Mayor de San Andres, finalmente la enseñanza de la anatomía, los precursores, profesores, los constantes cambios, hasta su establecimiento en el edificio donado por un filántropo paceño. Se analiza brevemente la obra de Andrea Vesalio, su obra de Humani Corporis Fabrica, se comenta el período postvesaliano señalando las diferencias entre la primera y segunda edición ilustrada...